Stepping into the Necropolis feels like tumbling into a fever dream of rust, sand, and looming dread. Low and Alone barely have time to shake off the disorientation from a strange mirror vision before the world asserts its menace. Crows caw from crumbling ledges, and the air is thick with the promise of something ancient and hungry. Right from the start, cooperation is key: Low picks up a discarded shoe and hurls it at a button to lower a bridge, a signal that nothing here will be solved alone.

Crossing the bridge drops the duo into a barren stretch where the sand seems to swallow sound. A ladder leads down, and then it’s Alone’s job to smash through a wall of loose rocks with her wrench—loud, decisive, and oddly satisfying. Almost immediately, collectibles make themselves known. A Doll sit tucked in a corner, and dragging a box of organs opens a gap in the wall just wide enough to squeeze through. Even in this decay, the world wants to be explored.

The Rhythm of Teamwork

The Necropolis wastes no time teaching its handshake of abilities. Low’s crossbow-like weapon is used to shoot dangling ropes, dropping boxes that become makeshift steps. On a narrow series of planks, the two navigate gaps, with Alone rotating levers with her wrench while Low scurries across to release another rope. It’s a quiet, methodical dance—push a cage onto a pressure tile, climb a ladder, crawl through yet another crack. There’s a rhythm to it, broken only by the sudden reveal of a giant arm swiping through the darkness. The first time it happens, it’s hard not to flinch.

A small door leads to air ducts and a closet containing two tattered umbrellas. Let’s be honest, an umbrella in a nightmare shouldn’t work as a glider, but here it does, and it’s absolutely essential. The pair use them to drift upward on gusts of air, glide down ropes, and slam onto hatches with a shared leap. It’s the kind of mechanic that feels whimsical until you remember a giant baby with a petrifying stare is patrolling nearby—talk about mood whiplash.

The Gaze that Freezes

The baby is the chapter’s beating heart of terror. Her gaze can turn anything in its path to stone, and the first real confrontation happens in a room of decaying columns and toppled statues. Low and Alone must slink between cover, freezing whenever her eyes sweep over them. A pressure tile at the end acts as an elevator, but only if someone stands perfectly still on it—a tall order when every instinct screams to run. Afterward, the world opens into tunnels hung with petrified corpses, a gallery of those who failed. Bugs skitter from the walls, forcing a quick combo of Low’s ranged shots and Alone’s wrench swings. It’s frantic, messy, and exactly the sort of panicked scuffle that makes you feel the size of these small protagonists.

Collectors will note three more Dolls hidden in this stretch: one behind destructible rocks, another up a staircase after watching the baby trudge past a window, and a fourth tucked in a gap to the left after a disorienting fall. Finding them all requires backtracking and a sharp eye, but the real reward is the tension of being hunted while you search.

Toy Blocks and Bell Tolls

As the chapter hurtles toward its climax, the baby becomes a constant, screaming presence. Toy blocks scattered across the floor become life-saving cover; hiding behind them feels like a cruel game of hide-and-seek where being tagged means turning to stone. At one point, Alone dismantles a petrified hanged body to release a rope, and Low shoots it to ring a bell. The sound draws the baby away—a rare moment of turning the environment against the monster. It’s a clever puzzle that rewards paying attention to every grisly detail.

Eventually, the pair slide down a roof and into a long corridor lined with stalls. The fifth and final Doll lies here, almost taunting them before a cinematic gauntlet. Low hoists Alone up, and she drags a box closer, allowing Low to swing from a rope and unlock a door. What follows is a breathless sequence of dragging boxes, timing movements between petrifying gazes, and using a hanging crate as a stepping stone. One mistake and it’s back to stone.

A Feathered Rescue and a Quiet Ending

When the baby finally corners them, the situation seems hopeless. She shakes the room violently, her gaze sweeping over a giant rattle toy. A box drops nearby, and the two scramble to hide before she looks again. It’s a terrifying game of musical chairs with mortal stakes. And then, out of nowhere, the crows arrive. The very birds that infested the desert swoop in, attacking the baby’s reaching hand with a fury that feels almost personal. The distraction is enough; while she flails, Low and Alone sprint through a gap and glide down through a hole with the umbrella.

There’s a stillness after that chaos. Low touches a mirror, the screen glows, and Alone takes his hand. The Necropolis fades, leaving behind the shudder of a close call and the quiet triumph of having survived. It’s a chapter that understands the power of silence and sudden noise, of cooperation without words. Finishing it unlocks the Child’s Play achievement, but more importantly, it lays a foundation of trust. The nightmares are only going to get darker from here, and after this, Low and Alone know they can count on each other—even when a giant baby is trying to turn them into garden ornaments.

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